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Juxtapoz Magazine presents “Inkblots & Feeling Charts”, which are both universal and deeply personal.

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We are always looking in the mirror. We are constantly looking at ourselves in the mirror, whether it is a physical mirror or an abstract concept. Consider it. Social media, self-help, advice, therapy, feelings, relationships, family, and sharing sharing sharing sharing until we can’t seem to even find what it is that we originally were seeking, seems to be the definition of the times. We are constantly confronted with a condition that is either a lack or an absence of selfhood. There is something beautiful about the way that Timothy CurtisIn his first exhibition, he is vulnerable and critical. Inkblots & Feeling Charts, currently on display at Atlanta Contemporary

Curtis uses the same marks and faces in his graffiti to create an understanding of his incarceration 10 years ago. He is no longer hiding behind a mask in these works. Instead, he is completely bare. You can see him in the studio working out these feelings, understanding himself as a person who is evolving but also an artist. What do you bring from your past with you? What are you feeling in the moment? What is something that we can all relate to about feelings and desires, but also use it as a model for others? Curtis’ own growth from his story on the cover of JuxtapozThis is a man who has charted his own path. From his early years to his rise to become a truly unique contemporary artist, this is someone who is charting their own path. And he has literally given us the blueprint of how he’s doing it. —Evan Pricco

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Original content by “Juxtapoz magazine – Timothy Curtis presents “Inkblots & Feeling Charts”, that are both universal and deeply personal”

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